![]() ![]() ![]() The chin-up and pull-up station, for example, uses your body weight to work your back and biceps, with multiple grip positions adding variety to the mix. The PT600 offers a variety of workout stations for your upper and lower body. Product Descriptionĭo away with portable pull-up bars and treat yourself to long-lasting fitness with the Body Vision PT600 Power Tower. Thick cushions provide firm support and protection to your arms and back during your workout. The tower features traction-ready handle grips, is height adjustable to suit almost any user, and is constructed with a steady, sturdy base for safe, secure placement. The Power Tower offers a variety of workout options for your upper and lower body: a chin-up and pull-up station with changeable grip positions, a dip station, a leg raise station, and slip-resistant foot grips that can be also be used as push-up bars. Get discount on Body Vision PT600 Power Tower now.: Limit Time Offer.Ĭreate the fit profile you want and work toward better overall health when you add this versatile exercise equipment to your home gym. The best quality on Body Vision PT600 Power Tower Now Available In Stock & Super Save Shipping in USA. It would be great to see him start to embrace a new vision of the Amazonian power that Azzedine Alaia invested in women-the part that’s as much about the soul and the pulse of the brand, as it is about the body.Low price Body Vision PT600 Power Tower. Granted, it takes technical know-how to engineer different sizes. The narrowness of the casting excluded the embrace of curves that has been normalized by the young generation, and which they expect to see reflected back on runways. What the show missed out on was the joyful self-glorification of female bodies that is now a spectacular part of pop culture. Mulier is perhaps adding in a theoretical way to the frank show-your-body conversation that Casey Cadwallader has been pushing at Mugler, or Nensi Dojaka has been doing in her own way with lingerie dressing in London. “Naked dressing” has been having a long post-pandemic streak. ![]() The emotional pull and electricity always comes more from what a show gives off about how women want to frame themselves in social contexts. Women, however, rarely fall for technique as the primary selling-point in a garment. The tailoring was nipped to the narrowest of pencil skirts the taut knitwear engineered to expose the thonged bodysuits that are, of course, Alaia-central.įashion buffs will appreciate the meticulous labor that went into that, of course. Indeed ‘time’ was the overarching theme Mulier was talking about-in the sense of the time it had taken to mould and tailor the silhouettes and add obsessive details, “like 35 buttons on a coat.” You could see the time-consuming techniques lavished, say, on the opaque-sheer splicing of horizontal bands of strips of leather and gauzy fabric, winding in varying widths down a floor-length dress. The 21st-century set of questions for Mulier center more on how to handle the empathetic argument that Alaia always made for glorifying the physicality of womanhood how to claim it as his own, and make it relevant in his own time. These male-gaze luxury fashion tropes have a 50-year history that goes back as far as Yves Saint Laurent and Helmut Newton. Kinky fashion has its own long Parisian tradition-there’s nothing new in seeing the proposal of chic bourgeois women in immaculate tailoring who also happen to be displaying underwear. For me, I always thought it was pure luxury to sit on that bridge and just look around at everything.” I found it the most beautiful view of Paris, because you look at the Grand Palais in one direction, Notre Dame the other, and you see the Eiffel Tower a little bit, just the tip of it. Parisian bridges have been co-opted as runways several times in the past couple of weeks, although Mulier hinted afterwards that it was chosen because it holds a sentimental memory for him. It wasn’t that the venue itself was so much of a surprise. “For me, that’s what it is about,” he declared afterward. It couldn’t have been more public-a strong contrast to the intimacy of his last presentation, which he held in his own apartment in Antwerp. Pieter Mulier’s Alaia show took place over a footbridge across the Seine as tourist boats passed beneath and onlookers clambered to watch from the walls of the Tuileries Gardens. ![]()
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